Posts Tagged ‘song of the week’

I haven’t really enjoyed anything The Killers have done since their first album Hot Fuss (2004) but they’re worth a song of the week post anyway.

I got into The Killers after their music was featured in teen drama The OC. The OC had a pretty big impact on my life, which sounds silly because it’s a tv show, but I was a teenager and we all have our little vices.

This song is called Mr Brightside and it’s still one of my favourites after all these years!


I went through my rap, hip-hop and R&B phase in early high school. I’m not sure if everyone has one of these phases, or if it was brought on by the people I was hanging around with at the time, but it happened. I was in love with Nelly and Usher and would rap into my hairbrush in front of the mirror like I was far from the whitest girl I knew, even though I absolutely was.

The phase passed, just as my Spice Girls obsession had years earlier, and other than the odd bit of Eminem I never really listened to that sort of music again because I no longer had any interest in it.

Well…that was until Jay-Z, Kanye West and Niggas in Paris happened. Damn this song for being so addictive that I just can’t stop listening to it!

*language warning*

Happy Monday!

Hello everyone!

I have spent the last few weeks trying to motivate myself to get back to blogging and I think I finally have my mojo back. Thank goodness for that!

This song of the week is by a pretty awesome up-and-coming Australian band from Sydney called Strangers who recently played at SXSW – if you don’t know what that is, I suggest you check it out here – and did a little tour around America before heading home to start work on their second album. They couldn’t lock themselves away to write and record without a tour of home first, which is how I came to see them at Brisbane’s Crowbar on May 16.

But before I go on about that: the song!

It’s called Bred For Breeding and while it isn’t my favourite song from Strangers’ debut album Persona Non Grata (that you absolutely have to find and listen to) it’s still a damn good song.

Strangers just wrapped up their ‘Closer to Nowhere’ tour (their new single from the album which happens to be one of my favourites) and as I mentioned, I was lucky enough to catch them in Brisbane. It was the third time I have seen the band live and they have consistently put on a fantastic show. They’re a very tight live band who you know will at least reach, if not exceed your expectations every time. They give the same amount of time and effort to their performances whether they have a crowd of 500 or 50 – the latter of which would best describe the attendance on this particular night – which I think is an admirable quality. Many bands reach a point in their career where they believe it is beneath them to perform to a small crowd. but I don’t think Strangers will never be one of those bands. After the show the guys are always happy to have a chat to everyone and show their appreciation for those who have taken the time to come and watch them play.

I took a few photos on the night – iPhone only – and here is my favourite of lead singer Ben Britton:

Ben Britton. Brisbane, May 16, 2013.

Ben Britton. Brisbane, May 16, 2013.

I also got a set list, yay!

strangers set list


If you ever get the chance to catch a gig, do it. Even if you don’t leave as a new Strangers fan, I can promise that you will have witnessed one hell of a rock show. Oh and please check them out on Facebook, I’m sure they’d appreciate it.

Just for something a bit different, I have two songs of the week this week. The first is My Songs Know What You Did in the Dark (Light ‘Em Up), the debut single from Fall Out Boy’s fifth studio album Save Rock and Roll which was released in April this year. Check it out:

The second song of the week is also by Fall Out Boy and is the second single from Save Rock and Roll. This one is called The Phoenix. I felt obligated to share both of these videos with you because they follow on from each other – apparently all of the videos from this album will do the same. If you watched the first one, you have to watch this:

Fall Out Boy – consisting of Patrick Stump, Pete Wentz, Joe Trohman and Andy Hurley – formed in 2001 and released their first studio album Take This To Your Grave in 2003. (Just for a little side note, this album celebrated its 10th anniversary this week – pretty awesome stuff.) The album won several awards, achieved double platinum status and featured top ten singles Sugar We’re Goin’ Down and Dance, Dance. The band followed this success with the release of From Under the Cork Tree in 2005, Infinity on High in 2007 and Folie a Deux in 2008. In late 2009, they announced an indefinite hiatus, leaving fans worldwide wondering if they would ever hear from Fall Out Boy again.

Fast forward four years to February 4, 2013 and Fall Out Boy announced that they were back! I am yet to pick up a copy of Save Rock and Roll but from what I have heard so far, their new sound is fresh and very different to the Fall Out Boy of old – in a good way. I can’t wait to give it a good listen through and, of course, here’s hoping they make the trek down under again soon!

After my previous 16 songs of the week you should have a pretty good idea of what kind of music I generally listen to. Pop-punk is on high rotation, as are a few other fairly predictable bands that sit within the punk/rock/etc base genres.

This week, I share something so completely different it has even surprised me how much I enjoy it.

Readers, meet Celldweller.

This song, Blackstar, is seriously rocking my world right now. I know that sounds kind of ridiculous, but I love it so much I can never just play it once; it gets repeated two or three times and always a little bit louder each time!

I had to do more research than usual for this post since Celldweller is a new addition to my music library and until today I hardly knew anything about them. Well, him, actually. Here’s the very basic run-down:

Celldweller is Klayton – yep, vocals, instruments and programming is all one guy! (And an incredibly talented guy at that). With three EPs and four albums under his belt, as well as a number of songs featured in movies and tv shows (including One Tree Hill, one of my personal favourites) I think his success speaks for itself.

So why is it surprising that I enjoy this so much?

I have always openly expressed my dislike for almost everything electronic within the music industry. I have never understood how or why people enjoy dubstep and techno and whatever other subgenres fall under ‘electronic music’ when, in my opinion, it all sounds terrible and pretty much the same. I believe in music and artists who play actual instruments – guitar, bass, drums, keyboard, etc – and sing without altering the way their voice sounds with the use of a computer. Music that can be created in so many different forms without the need for all of the bells and whistles, so to speak. It seems absurd, then, that I like Celldweller at all, let alone as much as I do. I can’t explain it, but I’m just going to roll with it!

Dashboard Confessional.

Front man Chris Carrabba is one of the best musicians I have ever had the pleasure of seeing live. Being able to own his albums and listen to them whenever I choose to is an honour and a privilege.

I recently discovered his other band, Further Seems Forever. I think I enjoy them almost as much as Dashboard Confessional. They’re two very different bands, but I think that’s a good thing. Chris is able to show another side of himself and his music with Further Seems Forever. They released an album last year called ‘Penny Black’ that is worth getting your hands on.

Anyway, this song is called Hands Down and it’s not only one of my favourite Dashboard Confessional tunes, but it’s also one of those songs you absolutely have to hear.

This may be the most inappropriate music video I have posted so far, but when it comes to Sydney pop-punkers Heroes For Hire, you would expect nothing less.

The song is called East Coast Blazin’ and while it’s not my favourite HFH song, it’s definitely up there. It’s catchy, it’s fun, and it pretty accurately sums up tour life for bands driving around the countryside in a van, trying to make a name for themselves in the music industry.

Since the release of their second album, “Take One For the Team”, in 2011 – which followed their debut release “Life of the Party” – Heroes For Hire have had a pretty good run. They toured the US alongside Unwritten Law in 2011 and were the first Australian band announced for the Soundwave Festival 2012. Their third album,”No Apologies”, was released in September of last year and I think it’s their best work so far. Most recently they were added to the UK’s Slam Dunk Festival which brings together some of the world’s best pop-punk, punk, hardcore etc. This year’s lineup is particularly awesome – you can check it out here.

Unfortunately, like many bands and artists, HFH have experienced their fair share of drama and controversy. This really came to the fore last month when band members Duane, Gremlin, Potter and Anthony decided that it was in the best interests of the band to continue on without their lead singer and arguably the only remaining founding member, Brad. I have read the official statements from both the band and Brad – as well as many unofficial comments on Twitter and Facebook. While it would be easy to choose to believe one side over the other, to direct hate towards either Brad or the remaining members of HFH, I am choosing instead to wish Brad all the best in whatever comes next for him and to continue to support HFH in their new form. It will be different, of course, but I am eager to see how the band pulls together and carries on without Brad as their front-man.

Heroes For Hire are currently on tour with Brisbane band Nine Sons of Dan and I am hoping to make it their Brisbane All Ages show next month. I’ll be sure to post a review if I manage to get there.